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Tag Archives: printmaking

Nature into Print (Aluminium etching)

July 3 – 5,    10 am to 4 pm

Tutor : Jenny Graham

Fee: £180

Using aspects of the landscape surrounding Dove Studios, students will explore different etching techniques. Discussions about creative interpretation of the landscape will be combined with practical exercises on how to create line, tone and texture using a variety of etching processes.

Microsoft Word - nature into print copy.docx

Aluminium Etching by Jenny Graham

 

Making Prints for Books (Various printmaking techniques and simple book binding)

July 10 – 12,   10 – 4pm

Tutor: Bronwen Bradshaw with Pennie Elfick

Fee: £180

The aim of this course is for participants to make a handmade book containing printed images and maybe words too. Drypoint, collagraph, relief printing and monoprint can all be used, with plenty of wide ranging tuition on hand to help with the different techniques, including basic bookbinding.

Lauzerte book for FB

Fold book of etchings by Bronwen Bradshaw

 

The Handwritten Word (Free-wheeling calligraphy)

July 14/15,   10 – 4pm

Tutor: Kathryn John

Fee: £120

At a time when our lives and lists exist in a digital world, we will spend a weekend together getting back in touch with the flow of the handwritten word, with full permission to get it wrong and to make a mess, using a variety of writing materials – including vegetable and oak gall ink – and experimental processes.

KJ for blog 2

Writing by Kathryn John (Beetroot ink)

 

Mokuhanga Stage 1 (Japanese water-based woodblock printing)

August 8,9,10,   10 – 4pm

Tutor: Robin Frood

Fee: £180

This 3-day workshop will explore the Japanese art of woodblock printing, known as Mokuhanga, with participants producing a final series of prints on a theme of their choice. This water-based technique is very ecological in its use of materials, and is currently undergoing a great revival in contemporary art worldwide.

Robin image

Mokuhanga print by Robin Frood

 

All courses include basic studio materials in the fee, but paper and plates (aluminium, wood blocks, acrylic sheets etc) are extra at cost.

If you would like to enrol on a course, please download the application form here:

Application Form for courses

and email to bronbradshaw@yahoo.com, or send to Bronwen Bradshaw, Dove Studios, Butleigh, Glastonbury, Somerset BA6 8TL, together with a deposit that will secure your place on the course. All deposits are non- refundable, unless we can fill your place from a waiting list. The full fee will be due by June 1st 2018; you will receive a reminder about this.

 

 

 

 

 

 

 

 

 

 

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Making Prints for Books is a 3 day intensive course combining printing with bookbinding, with Bronwen Bradshaw and Pennie Elfick. Dates: 10, 11 & 12 July

Lauzerte book for FB

Concertina Book ‘Lauzerte’ with a series of etchings printed as a strip

The aim of this course is for participants to make a handmade book containing hand printed artwork and maybe words too. The facilities of the Dove print studio will be available for students to make book content, using drypoint and/or lino and woodcut, monoprint and collagraph, with plenty of guidance and tuition on hand to advise on choices and the techniques involved.

The idea of having 2 tutors is that one (PE) will teach the printmaking and the other (BB) will keep her hands clean and help with the bookbinding. We are hoping for a good take up on this course so that we can have 2 tutors, otherwise Bron will be doing both sorts of teaching…so let’s hope!

Book image for blog 2

Pages from ‘Caves of Ice’ – different versions of the same print put together in book form

You may, however, already have prints that you can bring along and we can work out how to make them into a book. Or you may want to do a bit of both: printing and book binding. The joy of this course is that – as long as you wash your hands inbetween – you can move from one activity to another. Here are some forms your book could take:

Book image for blog 3

“A walk up the lane” – a series of monoprints with wax resist and acrylic wash in the process of being bound.

Book image for blog 1

“Tarantella” torn up large prints with computer generated text on layout paper

Book image for blog4

‘Venice Variations’ – an origami-type folded paper binding with etchings and computer text.

Students joining this course should have some experience in printmaking, but they do not need to have done bookbinding. The forms of bookbinding that we will use are non orthodox and therefore open to all kinds of invention and experimentation.

Hope to see you here! Email bronbradshaw@yahoo.com if you are interested.

 

 

 

 

A visit from Bournemouth Arts Club

A visit from Bournemouth Arts Club

The last four days have been all about light and I’ve been running round Amazing Space with my camera, completely captivated. Here’s a selection since Monday. We finish on Sunday: last chance to come and see the show if you haven’t already!

Pauline's ceramic long tailed tits reflected

Pauline’s ceramic long tailed tits reflected

Dawn in the studio

Dawn in the studio

Mini prints - some of them

Mini prints – some of them

Mirroring

Tony and Bron’s pieces talk to each other

Pennie's shed in the evening light

Pennie’s shed in the evening light

Autumn is really here now

Autumn is really here now

Dove Tales and Pennants

Dove Tales and pennants

Dove Tales again, this time in the morning

Dove Tales again, this time in the morning

Jennifer Newbury's story of the Dove

Jennifer Newbury’s story of the Dove

Visitors' Book with long shadow

Visitors’ Book with long shadow

and again...

more long shadows

Anne Hawkins, the first person to sign onto a Dove course in the 1970's, with May Payne

Anne Hawkins, the first person to sign onto a Dove course in the 1970’s, with May Payne

The last of Bron'swillow pattern plates finds a new home

The last of Bron’s willow pattern plates finds a new home

Bron's etchings and ceramics

Bron’s etchings and ceramics

Late flowers

Late flowers

Fiona's pressings with Michael's fiddlesticks

Fiona’s pressings with Michael’s fiddlesticks reflected

It’s only May, yet I am already excited about the Amazing Space exhibition in the autumn, particularly as the first items – mini prints – are arriving. Those of you who are submitting work: don’t Panic! they are not really due till the end of July.  I’ll post the first two here to give you a taste of what’s to come (there is a page just for the mini prints and I’ll try and get them all put there as they arrive).

If you wish to submit work for this, or a book for the book-in-a-drawer librarium, the only qualification is that you need at some time to have been associated with the Dove, either as a student, tutor, or resident artist. There’s a pdf below the images here, which if you click on it should bring up the entry forms. Get the entry form and payment back to me asap .

Love in the mist

Love in the mist

Kilve

Kilve

Mini Prints & Books Call for Entries