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Nature into Print (Aluminium etching)

July 3 – 5,    10 am to 4 pm

Tutor : Jenny Graham

Fee: £180

Using aspects of the landscape surrounding Dove Studios, students will explore different etching techniques. Discussions about creative interpretation of the landscape will be combined with practical exercises on how to create line, tone and texture using a variety of etching processes.

Microsoft Word - nature into print copy.docx

Aluminium Etching by Jenny Graham

 

Making Prints for Books (Various printmaking techniques and simple book binding)

July 10 – 12,   10 – 4pm

Tutor: Bronwen Bradshaw with Pennie Elfick

Fee: £180

The aim of this course is for participants to make a handmade book containing printed images and maybe words too. Drypoint, collagraph, relief printing and monoprint can all be used, with plenty of wide ranging tuition on hand to help with the different techniques, including basic bookbinding.

Lauzerte book for FB

Fold book of etchings by Bronwen Bradshaw

 

The Handwritten Word (Free-wheeling calligraphy)

July 14/15,   10 – 4pm

Tutor: Kathryn John

Fee: £120

At a time when our lives and lists exist in a digital world, we will spend a weekend together getting back in touch with the flow of the handwritten word, with full permission to get it wrong and to make a mess, using a variety of writing materials – including vegetable and oak gall ink – and experimental processes.

KJ for blog 2

Writing by Kathryn John (Beetroot ink)

 

Mokuhanga Stage 1 (Japanese water-based woodblock printing)

August 8,9,10,   10 – 4pm

Tutor: Robin Frood

Fee: £180

This 3-day workshop will explore the Japanese art of woodblock printing, known as Mokuhanga, with participants producing a final series of prints on a theme of their choice. This water-based technique is very ecological in its use of materials, and is currently undergoing a great revival in contemporary art worldwide.

Robin image

Mokuhanga print by Robin Frood

 

All courses include basic studio materials in the fee, but paper and plates (aluminium, wood blocks, acrylic sheets etc) are extra at cost.

If you would like to enrol on a course, please download the application form here:

Application Form for courses

and email to bronbradshaw@yahoo.com, or send to Bronwen Bradshaw, Dove Studios, Butleigh, Glastonbury, Somerset BA6 8TL, together with a deposit that will secure your place on the course. All deposits are non- refundable, unless we can fill your place from a waiting list. The full fee will be due by June 1st 2018; you will receive a reminder about this.

 

 

 

 

 

 

 

 

 

 

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Making Prints for Books is a 3 day intensive course combining printing with bookbinding, with Bronwen Bradshaw and Pennie Elfick. Dates: 10, 11 & 12 July

Lauzerte book for FB

Concertina Book ‘Lauzerte’ with a series of etchings printed as a strip

The aim of this course is for participants to make a handmade book containing hand printed artwork and maybe words too. The facilities of the Dove print studio will be available for students to make book content, using drypoint and/or lino and woodcut, monoprint and collagraph, with plenty of guidance and tuition on hand to advise on choices and the techniques involved.

The idea of having 2 tutors is that one (PE) will teach the printmaking and the other (BB) will keep her hands clean and help with the bookbinding. We are hoping for a good take up on this course so that we can have 2 tutors, otherwise Bron will be doing both sorts of teaching…so let’s hope!

Book image for blog 2

Pages from ‘Caves of Ice’ – different versions of the same print put together in book form

You may, however, already have prints that you can bring along and we can work out how to make them into a book. Or you may want to do a bit of both: printing and book binding. The joy of this course is that – as long as you wash your hands inbetween – you can move from one activity to another. Here are some forms your book could take:

Book image for blog 3

“A walk up the lane” – a series of monoprints with wax resist and acrylic wash in the process of being bound.

Book image for blog 1

“Tarantella” torn up large prints with computer generated text on layout paper

Book image for blog4

‘Venice Variations’ – an origami-type folded paper binding with etchings and computer text.

Students joining this course should have some experience in printmaking, but they do not need to have done bookbinding. The forms of bookbinding that we will use are non orthodox and therefore open to all kinds of invention and experimentation.

Hope to see you here! Email bronbradshaw@yahoo.com if you are interested.

 

 

 

 

Autumn was at its loveliest for the Dove Weekend of Workshops. 40 people came over the 2 days, and there was barely a break in proceedings,the atmosphere was so concentrated.

Abstract drawing 1In case you were wondering, this is not a pile of rubbish at the back of the workshops: it is the still life arrangement for the Abstract Drawing course, run by Pennie Elfick. Somehow, the above translated into this (or maybe this was a different exercise: I wasn’t paying attention…)

Abstract drawing 2

Pennie’s second course was colour mixing in oils. She took two different pigments of each of the primary colours, and 3 hours later,  Colour mixing 1these were the results. Colour mixing 2 In the garden, Michael Fairfax was teaching making musical instruments from willow pollard. Shavings flew for an hour or twoInstruments from willow pollardAnd then instruments started to emerge. This was actually made from apple, a far harder wood to work as it was very dry, but Teresa managed it and came up with this made to measure instrument.Instruments 2Here is Clare’s willow harp Instruments 3 In the studio, Variations on the Fold book were being carefully constructed, tutored by Jane Paterson. Jane is being urged to run a handmade books class – at the moment there isn’t one here since my handmade books class became the independent group ABCD (Artists’ Book Club Dove). Variations on the Fold Book 1 Outside, Fiona Hingston’s Walking and Making groups were coming up with the followingWalking and Making 1 Walking and Making 2 Walking and making 3The day was impossibly beautiful, and the rich autumnal colours of the gathered materials only added to this. Walking and making 4 Walking and making 6No pictures of the Ever Useful Coptic binding course, as the photographer was also the tutor (Bron Bradshaw); the students were so concentrated, that there was no time to even think of photos. But books were produced, and I hope they will prove to be ever useful.

Good comments in the feedback forms, and great enthusiasm for this kind of workshop format. So keep an eye on the Dove Arts page: we may be advertising another weekend, although not until the Spring. Thanks to everyone who came and who taught: it was a great weekend with a wonderful atmosphere.

This book is going to be a concise history of the Dove as told by residents, with archive photos of people and place, and a catalogue of the artists and the work in the Amazing Space exhibition. Caroline Mornement is to be our publisher (BCF Books) and advisor. Her latest book is ‘In Praise of Beautiful Books’, published last year, which features quite a few of the ABCD artists (Artists Book Club Dove).

.A few decisions have already been made: the title ‘Amazing Space’ has been claimed  by an actual ‘Outer Space’ book, so the Dove book title is to be ‘An Amazing Space’.  An ISBN has been allocated so now it is real, just the small matter of compiling the content… We even have the digital barcode, ready to add to the back cover.