Author Archives: bronwenbradshaw

The Dove Artists’ Christmas Exhibition has been up at the Red Brick Building for a week now, and has attracted a lot of interest from the Private View last week onward. I’ve been impressed by the way visitors to the building stop and consider the works on their way up or down the stairs. It appears that this seemingly awkward, multi purpose space is acquiring an identity of its own as a gallery space. Although I was somewhat dreading the ‘hang’ – it’s never straightforward here – help was at hand on the ladders from John Fleming, thanks John.  And I’d like to say I’m really pleased with how this exhibition has succeeded in linking two local creative hotspots: the Dove and the RBB, bringing benefits to both. Don’t miss it, and come soon as it’s a fast moving show (several of the works have already flown off the walls, though we are replacing them with others).  On till January 8th.


Bronwen Bradshaw

Dove Artists e -flyer

A visit to the Redbrick Building in Glastonbury is always interesting and sometimes delicious! The Bocabar restaurant and cafe serve food and good coffee every day of the week; the events space hosts an exciting range of gigs;  all sorts of regular courses take place in the upstairs spaces, alongside the studios where resident creatives work.

From 23rd November there will be an additional reason to go there: the artists who frequent Dove Studios are putting on a Christmas Exhibition in what I like to call the Staircase Gallery, running until January 8th. The show comprises work both by students and artists who attend printmaking classes at the Dove and also members of the Fingerprint group who work together in my studio once a week. There will also be work by artists more loosely associated with the Dove.

All types of media will be on display. Printmaking will predominate, but…

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Winter Tor from the Dove

At last! Leaves are off and we can see the Tor again through the branches.

Tipping Point 3

Three triangles instead of two – Pennie Elfick’s Shed and ‘Tipping Point”

Pond renovation

The ‘pond’ is being cleared and restored and Laura Burke and I plan to plant a living willow structure behind it (to add to the living willows already there, but also to give shelter now the brambles have mostly been hacked down).

Winter garden

From my garden to Mia’s to beyond – such beauty in today’s fabulous light.

Not exactly inviting weather for drawing outside this morning, but the gazebo was cosy, the sun came out at lunchtime, and those who came to draw spent most of the day in the treehouse corner, which was lovely. Animating this space with people, particularly children, is always wonderful. And they took to the trees as well (of course), and the treehouse too.

Drawing day 1

I don’t remember who wrote the following, but I’ve kept the cutting, and its words have rung in my ears since I started the Treehouse project: ‘Trees need to be lived in, whether by birds, insects, small children or the souls of poets – or, as the ancient Greeks thought, by nymphs.’ The same writer quotes Andrew Marvell from his poem ‘The Garden’ :

‘Casting the body’s vest aside, / My soul into the boughs does glide; / There like a bird it sits and sings, / Then whets and combs its silver wings.’

It’s happening.


Dove Meadow

This weekend is the last chance to come down to our special place, The Dove (SAW venue 21) and catch what has been a much visited and dare I say much loved exhibition (the comments books say so, anyway). Here’s a round up of what you will see when you come, and what, in the words of one visitor, is ‘rich and lush’.

Way out Yonder 2

Bron Bradshaw’s ceramics and etchings inspired by our USA trip, leading to….

Way out Yonder 1

Diana Milstein’s paintings and poems from the trip

Way out yonder 8

And Sandie Roche’s rugs and blankets forming a colourful backdrop.

Way out yonder 7

Di and Bron’s pottery inspired by the Native American tradition sits on the big Rochat press,

Way out yonder 5

and Bron’s Grand Canyon etching on the back wall above the Hunter Penrose press.

Pottery 2

The path through Mike Dodd’s garden leading to….

Pottery 3

his pottery showroom.

Spirit of Place 8

Back through the garden and up the metal staircase to the Spirit of Place exhibition – here are the specially commissioned books,

Spirit of Place 9

Faye Suzannah’s screenprints,

Spirit of place 6

Some of Myfanwy Morris’s b/w photos,

Spirit of place 10

Diana Milstein’s ‘Dove’ landscapes,

Spirit of place 7

Works by individual book artists

spirit of place 4

Some of the pit fired pots from this summer

Spirit of Place 3

and Bron Bradshaw’s ‘Pine Platters’ with ash glaze made from the Scots pines in the treehouse corner.

Shed Plus 1

Down the steps, past Pennie Elfick’s ‘Shed Plus’


Treehouse 4

and across the meadow to the Treehouse platform, with laminates of pages from the books as a reminder that one day the books themselves will be housed in a library here.

Here’s how the tree house platform looked this evening; the structure revealing itself a little more each day as the leaves fall.

Treehouse 8

This weekend we are running an event for all ages: Design (draw) your own treehouse. This is a free drop in workshop, with all materials provided. Hope to see you down here!

View across Wild Lea

Looking across Wild Lea from the Dove, towards the White Field Nature Reserve

Run out of words this evening – lots of visitors over the past few days – so here is the weekend in pictures.

Preview 1

The way in (photo: Sandie Roche)

Preview 2

Shed Plus – floodlit

Preview 3

Treehouse library first view

Preview 5

Myfanwy, the much missed photographer, with friend

Weaving workshop 1

Preparing Navajo style loom for demonstration

screenprinting workshop 2

Screen print workshop 1

screenprinting workshop 1

Screen print workshop 2

screenprinting workshop 3

Some of Faye Suzannah’s screen prints

Treehouse talk 3

Visitors to the Treehouse platform

Treehouse talk 2

Jim’s Treehouse talk

We made it. Time for a rest now (3 days off and then we start again – come and see us!)

Stairs 4

Saturday September 2nd was the final day of the treehouse build. I should say treehouse platform build, because that is so far what we have made. We have made, in essence, a tree for the house to go in. Quite an achievement, and the only reason why we couldn’t complete the whole of this ambitious project in time for Somerset Art Weeks later this month was because of unforeseen events that led to 5 course date cancellations (injury, work commitments…).

So here we were, with a staircase to put up, balustrades to make and the small matter of a floor. It was all hands to the plough on this beautiful September day.

The stair treads are metal; won’t slip, will last, easy to bolt in place (see through, too, which for me is key – this is becoming the invisible tree house). Huge thanks to Paul Bannell at Bannell Engineering in Glastonbury for making these up for us out of a sheet of metal. He made the metal ‘feet’ of the main frame too, and has become a major sponsor of the project.

Stairs 12

See through metal treads bolted onto two reclaimed planks of Greenheart wood that has been in the ocean and never rots. Thanks for these, Jim.

Marcel and Josh did heroic work, dragging a huge old flagstone over to the site that in the end wasn’t used – thanks all the same you two, for our building Stonehenge moment:

Stairs 24

And all day it was more of the same: Jim making the stairs, with some help from Ali taking a break from the catering, Joe Rosa and Bethan soldiering on through ALL the laths, cutting tenons for the balustrade, and some moments of relief: cute dog moment, and Joe up an apparently unclimbable tree:

By the end of the day the staircase was up, though there’s still work to be done on the cantilevered platform it leads up to.

Stairs 13

Stairs 18

Stairs 16

Level! And all done by eye!

It was getting dark; I made cheese on toast for one last push of energy from everyone. Joe and Bethan were still working on the back balustrade,

Stairs 19

And Jim had to get a torch out to finish securing the staircase. A fabulous day of great effort and commitment, and it’s set to continue. So watch this space for the next stage of the project (the House itself) and come and see the platform during Somerset Art Weeks: 23rd Sept – 8th Oct, 11 – 6pm, closed Mon Tues Wed; Venue 21.

Stairs 20

Spot the carpenter in the tree